Acoustic Alchemy – Spiritual Smooth Jazz

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The irony is that this group, with music that is truly uplifting, has faced some difficult setbacks that could have led others to write more somber pieces. Yet this is not the case. Shortly after the release of that original CD titled “Acoustic Alchemy,” James left the partnership to study flamenco guitar in Spain. Webb turned to a rock guitarist named Greg Carmichael and the two assumed the name of Acoustic Alchemy. Sadly after much success on GRP records and a Grammy nomination, Nick Webb died of pancreatic cancer in 1998 during the recording of “Positive Thinking.”

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Webb’s role was filled by Miles Gilderdale, who was playing in the electric guitar slot in the band at the time. As we all know, that positive energy that inspired Acoustic Alchemy up to this point continued almost as a tribute to Webb.

A Beautiful game

The band moved to EMI’s Higher Octave label, where they released a short string of successful albums, beginning with The Beautiful Game (2000), which also introduced keyboardist Anthony “Fred” White to the band lineup. Then a line of smooth jazz superstars began joining their recording sessions. The GRAMMY®-nominated “Aart” (2001) is their biggest selling album to date, and includes assistance by saxophonist Jeff Kashiwa. “Radio Contact” (2003), is the first in their discography to include a vocal track – “Little Laughter,” performed by Joe Harrop. “This Way,” (2007) includes collaborations with jazz/funk/soul band Down to the Bone and a guest appearance by trumpeter Rick Braun.

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Their most recent effort,” Roseland” was self-produced in Gilderdale’s home studio in York, England, which thanks to software based recording packages allows many artists to record in private home studios (which has hurt the recording industry, but that topic is for another time). Nonetheless, British smooth jazz group Acoustic Alchemy climbed to the top of the charts with lively grooves and infectious melodies, capturing three Grammy nominations!

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About Daniel Odescalchi

I've been a smooth jazz fan since I was first turned onto David Sanborn, Marcus Miller & Bob James in the 80's. And who could forget Dave Grusin. Unfortunately after a while too many people started doing pop covers and it polluted the smooth jazz pool. That's starting to change and this blog is dedicated to educating people on the enjoyment of smooth jazz and the artists that perform it.
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